SEARCH RESULTS FOR: Martha Reeves
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(Vocal group, 1963–72) Two lucky breaks for Motown secretary Martha and friends Annette Beard and Rosalind Ashford launched their career: covering for absent backing singers on the 1962 session for Marvin Gaye’s ‘Stubborn Kind Of Fellow’, and taking the lead vocal on ‘I’ll Have To Let Him Go’ when Mary Wells did not show in 1963. Taking their name from ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1956) Dianne Reeves’s parents were musicians and her cousin, pianist George Duke, encouraged her, as did trumpeter Clark Terry. She sang in Los Angeles studio sessions in the late 1970s and 1980s, and with pop/jazz groups Caldera, Night Flight and Sergio Mendes’s troupe. Her albums blend jazz, gospel, African and Brazilian ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

James Travis Reeves, born in Galloway, Texas, on 20 August 1924, was one of the most talented singers to find his voice and define his musical style during the late 1950s’ emergence of the Nashville sound. Like Eddy Arnold and Ray Price (in his post-honky-tonk years), Reeves possessed a warm, reflective baritone that conveyed warmth and ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

b. 1941 Argentinian pianist After her success at the 1965 Warsaw International Chopin competition, Argerich’s career involved regular appearances with such conductors as Abbado and Rostropovich (who, as a cellist, also partnered her in duo repertoire). Though her recordings, especially of Chopin, Ravel and Prokofiev, continue to be held in high esteem, she now ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, b. 1939) Best known for her duets with Marvin Gaye, Weston was also a successful Motown solo artist. She reached R&B No. 2 with 1965’s ‘Take Me In Your Arms (Rock Me A Little While)’, later covered by The Doobie Brothers, and notoriously turned down ‘Dancing In The Streets’, only to see Martha Reeves take it to ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Georgia’s finest soul son, Otis Redding’s story encapsulates the history of soul music. He was a hard-working performer with special gifts who became a role model of dedication and success, an icon for his African-American peers. In the process he also won the hearts of the white audience with his music, and, by the simple act of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Popular music’s most influential decade saw British and American rock develop in parallel, the creative torch passing across the Atlantic to The Beatles, then returning as the West Coast rock boom reflected the influence of drugs on music. In rock, guitar was now the undisputed focus of the music with ‘axe heroes’ like Clapton, Hendrix, Townshend ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

January Inducted Into Rock And Roll Hall Of Fame In the same year as Neil Young, Frank Zappa, Al Green, Janis Joplin, Martha Reeves & The Vandellas and The Allman Brothers Band, Led Zeppelin were inducted into the Rock And Roll Hall Of Fame on 12 January 1995. Aerosmith’s Joe Perry and Steven Tyler inducted the ...

Source: Led Zeppelin Revealed, by Jason Draper

The 1950s and 1960s were milestone decades for country music. It was during these years that the stylistic tensions between traditional and contemporary, rural and urbane, became sharply delineated and the first ideological and aesthetic battle lines between the traditionalists and modernists were drawn in the sand. Out of this tension arose bold innovation and refreshing diversity. The 1950s ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Composed: 1920–25 Premiered: 1925, Monte Carlo Libretto by Colette (Sidonie-Gabrielle Colette) The child has been naughty. His mother does not think he deserves more than tea without sugar and dry bread. He must think about how sad he has made her. He shouts after her, ‘I don’t love anybody! I’m naughty!’ He starts smashing and ill-treating everything ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Guitar, producer, 1924–2001) Tennessee-born Chester Burton Atkins, whose father was a music teacher, was one of the most influential twentieth-century guitarists, and was initially influenced by the finger- and thumb-picking country-style playing of Merle Travis. Signed to RCA from 1947, he made scores of mainly instrumental albums, and in 1955 became the head of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

As the first superstar instrumentalist to emerge from the modern Nashville recording scene, Chet Atkins (1924–2001) was a living legend for most of his life, but the Nashville-based guitarist was also a producer, engineer, label executive and A&R man without peer. Chester Burton ‘Chet’ Atkins was born on in June 1924 in Luttrell, Tennessee. He started ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

One of modern country music’s most remarkable figures, Chester Burton Atkins born in Luttrell, Tennessee, rose from rural obscurity to become one of the world’s most celebrated guitarists and one of Nashville’s most influential record producers. Atkins’ musical vision did much to shape country music during the 1950s and 1960s. Early Years Atkins was born on 20 June ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Many were those in 1972 who would have snorted at the idea that an artist so obsessed with superficiality and chart success would sustain a multi-decade career characterized by career-jeopardising innovation. Hours… (1999) saw Bowie co-writing with Tin Machine guitarist and subsequent frequent collaborator Reeves Gabrels. The album had originated in a commission to score a computer game called Omikron: The ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

b. 1971 Russian pianist A child prodigy, he gave his first solo recital at the age of 10 and as a teenager worked with Karajan, later collaborating with Solti, Giulini, Abbado, Maazel and Ashkenazy among conductors, and with Martha Argerich, Isaac Stern and Joshua Bell in chamber music. But it is for solo performances ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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AUTHORITATIVE

An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

Rock, A Life Story

Rock, A Life Story

The ultimate story of a life of rock music, from the 1950s to the present day.

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Fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.